Fellows in Residence
Fall of 2025
November 18, 2024
5-7pm
REGISTER HERE: https://us06web.zoom.us/meeting/register/tZYkcu6qpzwrG9AluoVXffVxziSjEKOA7m_2
Weaving as a decolonial praxis
In this event, Elvira Espejo (Aymara, Directora del Museo de Etnografía y Folclore de Bolivia will be in conversation with Daisy Guzman ( BIFFI post-doctoral Fellow) to discuss the success and challenges in existing decolonial policies and practices by indigenous women in Latin America. By centering the discussion on weaving and textiles, visual art, and ancestral forms of knowledge in daily practices, Elvira will examine the complex intersection of race and racism, multiculturalism, and gender.
El tejido como praxis decolonial
En este evento, Elvira Espejo (Aymara, Directora del Museo de Etnografía y Folclore de Bolivia) entablaran una conversación con Daisy Guzmán (Becaria postdoctoral BIFFI) para entender los éxitos y desafíos en las políticas y prácticas decoloniales asociadas a sectores femeninos indígenas de América Latina. Al centrar la discusión en el tejido y los textiles, las artes visuales y las asociadas formas de conocimiento ancestral en las prácticas cotidianas, Elvira examinará la compleja intersección de raza y racismo, multiculturalismo y género.
Elvira Espejo Ayca is a well-known artist, cultural manager and indigenous researcher. Born in the Qaqachaka community (Abaroa province, Oruro, Bolivia), her practice is linked to textiles, oral tradition, and poetry. Elvira has several publications, and is director of the National Museum of Ethnography and Folklore (MUSEF). She received the Goethe 2020 medal, an official decoration of the Federal Republic of Germany for his work and commitment to cultural exchange. The importance of her work is linked to the dialogue between practice and knowledge of Indigenous communities and the intersections with academia, cultural management, and museums.
Elvira Espejo Ayca es una destacada artista, gestora cultural e investigadora indígena. Nacida en el ayllu Qaqachaka (provincia Abaroa, Oruro, Bolivia), su práctica se encuentra vinculada al textil, la tradición oral y la poesía con una infinidad de publicaciones. Es directora del Museo Nacional de Etnografía y Folklore (MUSEF). Recibió la medalla Goethe 2020, condecoración oficial de la República Federal de Alemania por su labor y compromiso con el intercambio cultural. La importancia de su labor se vincula al diálogo entre la práctica y el conocimiento de las comunidades indígenas y el cruce con la academia, la gestión cultural y los museos.
November 18-19, 2024
Empowering Threads: Beadwork Workshop
Alicia Aldaz is a Choctaw/Monacan native artist. In the Fall of 2023, she was the Karenne Wood Residency Program artist at VCU. She is a textile and beadwork artist and designer of powwow dance regalia for her family and community. Alicia has made it her mission to give back her knowledge to the next generation of indigenous artists.
On November 18-19, she will visit UVA to share her knowledge of beading. Come for a hands-on workshop.
Fall of 2024
TBD
Dr. Jessica Hernandez (Binnizá & Maya Ch’orti’) is a transnational Indigenous scholar, scientist, and community advocate based in the Pacific Northwest. She has an interdisciplinary academic background ranging from marine sciences to environmental physics. She advocates for climate, energy, and environmental justice through her scientific and community work and strongly believes that Indigenous sciences can heal our Indigenous lands.
She is the author of Fresh Banana Leaves: Healing Indigenous Landscapes through Indigenous Science and is currently in the process of writing her second book, Growing Papaya Trees: Nurturing Indigenous Roots of Climate Displacement & Justice. Hernandez has been named by Forbes as one of the 100 most powerful & influential women of Central America.
TBD
Dr. Esme G. Murdock is an Assistant Professor of American Indian Studies and Associate Director of the Institute for Ethics and Public Affairs at San Diego State University. Her research interests include environmental justice, Indigenous and Afro-descended environmental ethics, settler colonial theory, and decolonization as land/resource rematriation. Murdock comes to this work as a descendant of enslaved Africans and European settlers in North America. Her current work explores the devastating impacts of colonization and slavery on both Indigenous and Afro-descended peoples and environments on Turtle Island. She anchors her understanding of settler colonialism, in particular, in the experiences and theorization of Native and Black communities especially toward securing decolonial futures. She often writes back to mainstream environmental discourse that attempts to “read out” colonization as the context of environmental degradation and destruction, particularly in the settler colonies of the United States and Canada. Her work centers conceptions of land and relating to land found within both Indigenous and African American/Afro-descended environmental philosophies. Murdock has work published in Environmental Values, Global Ethics, Hypatia, Agricultural and Environmental Ethics, Ethics, Policy & Environment, World Philosophies, and Critical Philosophy of Race.
Murdock’s first book manuscript is a project of public ecological (re)memory anchored in the understanding that land has memory. Her methods include both Indigenous memory/re-memory work and Black feminist witnessing. She is, thus, writing a land history of the South Carolina Sea Coast that engages in the diverse and often erased ecological histories, ecological heritages, ethnobotanical knowledges, and complex relations of Indigenous and Afro-descended peoples within the colonial complex of multiple European powers.
TBD
Meredith Alberta Palmer (Tuscarora, Six Nations) is an Indigenous Geographer who explores how US imperial notions and practices consent and refusal in research data collected about Indigenous peoples engages in a territorial politic and practice. She is currently a Presidential Postdoc at Cornell University, in the Department of Science & Technology Studies and the American Indian and Indigenous Studies Program. Her current book project, Imperial Evidence, shows how Indigeneity disrupts core notions of reason, order, and humanism which articulate science, technology, and the US colonial state, and grounds her work in Haudenosaunee homelands. Palmer’s research has been funded by the Henry Roe Cloud Dissertation Fellowship at Yale University, Ford Foundation Fellowships, UC Chancellor’s Fellowship, and the Center for Race and Gender at UC Berkeley. received her Ph.D. in Geography from UC Berkeley in 2020, and M.P.H. from UC Berkeley’s School of Public Health in 2015.